I just shared this on Reddit and thought it was worth reposting here since I often get asked about crazy stories from work. Every detail can be corroborated.
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All right, buckle up because this is a long and strange story.
The year was 1999. I think. It might have been 2000. At the time I was writing for a video game magazine. This was in the heyday of the crazy video game press junkets; around this time I’d taken the Skip Barber Racing Course at Laguna Seca twice in a month. Colleagues had flown fighter jets and scuba dived in Hawaii.
Anyway, this wasn’t like that. This was an event for Konami’s Nightmare Creatures 2 (or was it Activision? It’s hazy). We were flown out to San Francisco and put up in a swank hotel. We had no idea what we were in for.
The night started with drinks at the Top of the Mark, a fancy-ass bar at the top of a tall hotel located on one of the hills of SF. I walk in and notice this little guy hanging out in a small group over by the window, admiring the view. It can’t be? It is. Gary fucking Coleman. At the time he was doing a column or something for UGO so he had a semi-legitimate reason for being there. Anyway.
A few drinks in, the PR reps tell us it’s time to go. Go where? It’s a surprise. So we troop downstairs and they put us in limos, maybe four to a car and probably something like six cars. We slide into ours, and waiting for us is this very, very hot lady who identifies herself as, I shit you not, “Roxy.” She is apparently there for conversation? She seems very interested in everything we have to say.
The limos drive us around the city in a weirdly circuitous route, before we finally find ourselves deep in the woods of what I later assumed to be Golden Gate Park, or perhaps the Presidio. We exit the limos in a parking lot. They all drive away.
We’re standing there, looking at each other, wondering what the hell is happening, when suddenly headlights turn on in the woods. Out drives a school bus. Its windows are blacked out. The doors open, and five or six little people come out, dressed as executioners complete with hoods and axes. Without saying anything, they herd us onto the bus.
The bus starts up and drives us out of the woods, following another circuitous route through the city.
So let’s pause here for a second. Here I am, winding through the streets of San Francisco, in a school bus with blacked-out windows, with a small troupe of midgets and Gary Coleman. Everybody with me so far? Good. It gets weirder.
The bus finally stops at a nightclub. The little people escort us in and into the back. In the back is a smattering of TVs and systems running the game, a lavish buffet featuring, among other things, all the sushi you can eat, and four or five cages in which are dancing scantily clad women…with, for some reason, twigs arrayed around their heads like antlers and on the backs of their hands like claws.
It takes me a few moments before I recognize Roxy.
Seeing all this, my colleagues and I (and Gary Coleman) proceed to get very, very drunk. Because, really, what else are you going to do? In the course of this noble endeavor, it becomes clear that Gary Coleman is seriously into my friend Zoe. So much so that he gives her his number. Which she, in her drunken state, proceeds to write on the hand of everyone she knows.
I don’t remember much that happened for a few hours after that, but the night’s weirdness wasn’t over. A hardy group of us went to yet another club after this odd ordeal. After a few minutes there I looked up at the bar and saw a guy that looked eerily familiar. So I walked up to him.
“You know, you look an awful lot like Kirk Hammett from Metallica.”
He laughed. “My mom tells me that all the time.”
So I proceeded to shoot the shit with Kirk Hammett for the next hour or so, until my eyes wouldn’t stay open and my colleagues were all leaving.
Woke up the next morning wondering if any of it had actually happened. Then I looked at Gary Coleman’s phone number on my hand and realized I hadn’t dreamed it.
TL;DR: Strange shit happened when video game companies had more money than sense.
